简介：This is a story of lifetime. A story full of spiritual power biography, behind which stays a whole age in the national development of Bulgaria. Reality Fantasy, 6 May 2006 Author lordsin from Bulgaria This is one of the best movies I've seen. Some may say it has no sense, but if you look closely you'll notice that this movie is a philosophical masterpiece. It shows several scenes of life in the village and then the brilliant Rangel Vulchanov puts reality into a boy's fantasies. The movie jumps from birth to death, from wedding to funeral, from joy to sorrow, from reality to fantasy, from war to peace. There are lots of laughable moments for the comedy fans, and there's drama for the drama fans. You won't forget this movie once you've seen it. It's a true gem! It will give you all you want even more...One of the best Bulgarian movies ever made. Better than all of the French movies altogether!
简介：Tired of being bullied, Cassandra Evans prays that her nemesis, Katie Sharp, the queen bee of social media, would know what it's like to walk a day in her shoes. Her prayer is answered in an unexpected way when they get Switched.
简介：A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
简介：The seminal question of land and the displacement of Adivasi (Indigenous) Communities in India. All the governments that have ruled the nation made laws that denied the indigenous people their way of life and their land often, protecting crony capitalist interests. It revisits an episode of dissent in the 90s which brought up this question amongst us. A history forgotten.